' . . . embracing anger is a political act. This is not a personal project but a social one-being passive and perpetually afraid of your power reinforces the status quo, and I am no longer interested in that. Anger is a complex emotion, which is exactly why my child-brain suppresses it, and exactly why we as a society are afraid of it. Anger teaches us that not everything has to be either/or.'
In a profound and personal essay, Lucia Osborne-Crowley writes on learning to embrace anger as a multi-faceted emotion. Anger can be an act of caring, anger can be a force for personal power, and inter-personal good; anger, she says, 'can sit alongside love and hope and connection rather than being their opposite.'
Guy Rundle studies the rise of the Knowledge Class, the laptop tapping workers at the core of the west's new economy, and details the challenge…
' . . . embracing anger is a political act. This is not a personal project but a social one-being passive and perpetually afraid of your power reinforces the status quo, and I am no longer interested in that. Anger is a complex emotion, which is exactly why my child-brain suppresses it, and exactly why we as a society are afraid of it. Anger teaches us that not everything has to be either/or.'
In a profound and personal essay, Lucia Osborne-Crowley writes on learning to embrace anger as a multi-faceted emotion. Anger can be an act of caring, anger can be a force for personal power, and inter-personal good; anger, she says, 'can sit alongside love and hope and connection rather than being their opposite.'
Guy Rundle studies the rise of the Knowledge Class, the laptop tapping workers at the core of the west's new economy, and details the challenge - and opportunity - this growing group poses for traditional progressive politics.
Na'ama Carlin found her first pregnancy challenging, a minefield of existential and practical complication. Then she was diagnosed with aggressive breast cancer.
Author Alice Pung writes on the vexed politics of 'diversity' in the Australian publishing industry. Futurist Mark Pesce is anxious about the social implications of the Facebook 'metaverse', but that's just the tip of the iceberg. Critic and curator Chris McAuliffe looks at the hidden and very complicated history of the Australian flag. El Gibbs writes on the hidden pandemic: of living with both covid and disability.
Other essays from Declan Fry, Martin Langford, Gemma Carey, Madeleine Gray, Jill Giese, Bruce Buchan and more.
Memoir from Alice Bishop, Alexander Wells, Dominic Gordon and Hannah Preston.
New fiction from Jennifer Mills, Ouyang Yu and Christopher Raja.
New poetry from Adam Aitken, Lucy Dougan, Ashleigh Synnott, Stephen Edgar,Svetlana Sterlin, Junie Huang and more.
Reviews from Millie Bayliss, Imogen Dewey, Hasib Hourani, Thabani Tshuma and Rosie Ofori Ward.
Jonathan Green
Meanjin editor Jonathan Green has been an editor, writer, commentator and broadcaster in a 40-year career as a journalist, beginning with a cadetship at The Canberra Times and taking in various Australian dailies: the Melbourne Herald, The Herald Sun, the Sunday Herald, The Sunday Age and 15 years at The Age. Jonathan left The Age in 2006 to edit Crikey. After three years there he moved to the ABC as…
The writer Alice Pung says that ‘literature is a good place for us to share our feelings, our language, our inner lives.
‘Literature is a refuge.’
And yet, she says, when marginalised people write books, the treatment of those books can miss much of the nuance that other authors might enjoy.
Guest:
Alice Pung, writer, editor and lawyer
Author of essay ‘Whose feelings matter in literature?’ in the latest edition of Meanjin. It’s an edited version of the Writers Victoria 2021 State of the Writing Nation Address.
Alice's books are the memoirs Unpolished Gem and Her Father's Daughter, and the novel Laurinda and One hundred days