The untold story of race and power in Australia's Jazz Age.
The 1920s were a time of wonder and flux, when Australians sensed a world growing smaller, turning faster-and, for some, skittering off balance. American movies, music and dance brought together what racial lines kept apart. A spirit of youthful rebellion collided with the promise of racial perfectibility, stirring deep anxieties in white nationalists and moral reformers. African-American jazz represented the type of modernism that cosmopolitan Australians craved-and the champions of White Australia feared
Enter Sonny Clay's Colored Idea. Snuck in under the wire by an astute promoter, the Harlem-style revue broke from the usual blackface minstrel fare, delivering sophisticated, liberating rhythms. The story of their Australian tour is a tale of conspiracy-a secret plan to kick out and keep out 'undesirable' expressions of modernism, music and race. From the wild jazz clubs of Prohibition-era LA to Indigenous women discovering a new world of black resistance, this anatomy of a scandal-fuelled…
The 1920s were a time of wonder and flux, when Australians sensed a world growing smaller, turning faster-and, for some, skittering off balance. American movies, music and dance brought together what racial lines kept apart. A spirit of youthful rebellion collided with the promise of racial perfectibility, stirring deep anxieties in white nationalists and moral reformers. African-American jazz represented the type of modernism that cosmopolitan Australians craved-and the champions of White Australia feared.
Enter Sonny Clay's Colored Idea. Snuck in under the wire by an astute promoter, the Harlem-style revue broke from the usual blackface minstrel fare, delivering sophisticated, liberating rhythms. The story of their Australian tour is a tale of conspiracy-a secret plan to kick out and keep out 'undesirable' expressions of modernism, music and race. From the wild jazz clubs of Prohibition-era LA to Indigenous women discovering a new world of black resistance, this anatomy of a scandal-fuelled frame-up brings into focus a vibrant cast of characters from Australia's Jazz Age.
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Engaging and imaginative ... a vivid snapshot of a national moment that lurched from shameful disgrace to farce.”
The Age
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O’Connell relates this shameful episode in meticulous and picturesque detail ... a fascinating read.”
The Australian
Deirdre O'Connell
Deirdre O'Connell is a historian, teacher and author of The Ballad of Blind Tom. She has a background in environmental journalism and music documentary and lives in the Blue Mountains on Gundungurra and Darug land.
The 1920s were a time of wonder and flux, when Australians sensed a world growing smaller, but turning faster.
American movies, music and dance brought together the things which racial lines kept apart.
African-American jazz was the music that cosmopolitan Australians craved, and the champions of White Australia feared.
'Sonny Clay's Colored Idea' were a Harlem-style revue famous for their jazz rhythms.
Deirdre O'Connell has delved into the story of how they came to Australia, and how their tour went wrong when they were targeted by a secret militia.